Annie, a 1982 film about an eleven-year-old orphan, was a hit with audiences. Annie, the orphan’s name, was asked to spend two weeks with rich Oliver Warbucks away from the orphanage. Although many people liked witnessing Annie’s antics, few people questioned if the film was historically accurate. Orphans, affluent people, and robbers are three kinds of individuals shown realistically in Annie during the Great Depression. The film Annie depicted orphans during the Great Depression in America quite well. To begin with, orphanages in the United States were undoubtedly overcrowded in the 1930s. Annie correctly depicted this by placing orphans in every room the camera entered. There was not a single unoccupied room at the orphanage, suggesting that it was overcrowded.
Society and Film Annie is a 1982 Academy Award-nominated musical film based on the hit 1977 Broadway show of the same name. The Wonderful World of Disney produced a 1999 made-for-television musical comedy film based on the 1977 stage musical Annie and its 1982 film adaption, both of which were based on Harold Gray’s 1924 Little Orphan Annie comic strip.” Little Orphan Annie debuted on August 5, 1924, as a daily American comic strip produced by Harold Gray. Adaption of a film Although it was closer to the original stage musical than the 1982 film, it shortened much of the tale to make it more child-friendly.
This was Walt Disney Pictures and Columbia Pictures’ first partnership. When comparing the two films, it’s clear that they took distinct creative paths. What I noticed that aided the storyline in the 1982 film version was that they addressed the Depression and it was apparent to the viewer what was going on. It became more historical after meeting with President Roosevelt on the “New Deal.” In comparison to the 1999 edition, it was significantly more concise. The scene design and clothing may help you get a sense of the period, but the 1982 film adaptation did a better job.
Hannigan, Rooster, and Lily are apprehended at the Warbucks mansion in the stage musical, preventing Annie from being kidnapped. She is abducted in the film, prompting Warbucks to organize a city-wide search, and Rooster follows her along a bridge as she tries to flee. Punjab eventually saves Annie with an auto copter and returns her safely at the conclusion. Miss Hannigan’s heart softens, and she tries to save Annie from Rooster’s murder, and she joins in the celebration after the film. The 1999 Disney version is created by combining the 1977 and 1982 versions.
Miss Hannigan is presented as a sharp, witty villain in the newer version, although in the earlier version, she is a drunk with a kind heart. Miss Hannigan is also sent to a mental hospital after the television film. This never happened in the stage play or the 1982 movie. Punjab does not appear, and Grace Farrell is played by an African-American lady for the first time. My first exposure to Annie was in the 1999 film, which I felt was fantastic, but since it was produced by Disney, it omitted a lot of what could have been presented. This version, on the other hand, appeals to me since it demonstrates how they did not strictly adhere to the original theatrical play. All three versions of Annie are distinct, but they all communicate the theme of adversity at the time and how difficult it was to find work and have a kid. By introducing some diversity, the directors’ approach to a musical like this is kept more fascinating. Especially when it comes to Disney.
The film Annie also tackled the topic of crime during the Great Depression. People who had previously committed crimes, as well as those who had just lost their jobs, participated in illegal activities. Annie only touched on this facet of criminality during the Great Depression in a limited and inaccurate way. It’s safe to believe Miss Hannigan’s employment was always in jeopardy. As a result, she linked up with her brother and his girlfriend to commit a crime as a preventative precaution. During this same period, crime rates also soared. Rooster and his girlfriend were often caught taking anything they could get their hands on. Finally, there was an upsurge in prostitution and illicit drunkenness during this period. Miss Hannigan was depicted in both of these criminal activities. Miss Hannigan was often spotted consuming what looked to be booze and attempting to seduce men whenever she had the opportunity.
History
Harold Gray’s comic strip ‘Little Orphan Annie’ is where Annie got to start as a cartoon character. The first issue of the comic strips was released on August 5, 1924, and the last edition was issued on August 5, 1924. The first motion picture adaptation of ‘Little Orphan Annie’ was released eight years later, in 1932, in the United States. In 1977, the play ‘Little Orphan Annie’ was adapted into a popular Broadway musical. At the time of its production, ‘Annie’ was the most expensive musical ever produced. There was a slew of awards given out to the show, among them the Best Musical Award, the Best Original Score Award, the Best Performance by a Leading Actress Award, the Best Choreography Award, the Best Scenic Design Award, the Best Costume Award, the Outstanding Musical Award, the Outstanding Lyrics Award, and a host of others. Two other cinematic adaptations were produced in 1982 and 2014, respectively.
Plot
Annie, the Broadway musical, is based on the novel Little Orphan Annie by Harold Gray. An orphanage led by the despotic Miss Hannigan is home to Annie, who is 11 years old, and her six other siblings. Annie manages to get out of the orphanage after two unsuccessful attempts. Annie, on the other hand, is discovered by a police officer and returned to her family. Despite this, she gets selected to spend time with rich Oliver Warbucks and his family. Warbucks vows to assist Annie in her search for her long-lost parents by giving them a prize if they come to him and confirm their identities. Annie accepts the offer. In the meanwhile, Ralph and Shirley Mudge, a married pair, have arrived on the scene. They claim to have returned to claim their newborn daughter, even though it has been eleven years. It is revealed to Miss Hannigan that they are Rooster and Lily. Rooster describes how they came up with their winning plan. Three times, Rooster and Lily approach Ms. Hannigan, pleading for information about Annie. Warbucks claims that Annie’s parents have failed to appear and that he wishes to adopt her. They are stopped by Mr. and Mrs. Mudge, who are on their way to pick up Annie. They are, however, Rooster and Lily, not Annie’s biological parents. They have all been taken into custody, including Miss Hannigan.
Annie is a 2014 film based on the Broadway musical of the same name. Annie is a lively little girl whose parents abandoned her when she was a newborn. Miss Hannigan, who is despotic, horrible, and cruel, places her in foster care. Her bleak circumstances improve dramatically when she is chosen to spend time with Will Stacks, a rich mayoral contender. Even Will Stacks, who is cold-hearted, can’t help but fall in love with Annie, the cheerful girl. While Stacks is debating whether or not to adopt Annie, a man called Guy enters and verifies that Annie’s biological parents have been located. Everyone immediately realizes, however, that they are not Annie’s biological parents. Annie’s foster sisters attempt to hunt out Annie’s location on social media with the aid of Ms. Hannigan. The cops are called in right away, and Annie’s fictitious parents are apprehended. Will chooses to adopt Annie after reuniting with her. Annie, Grace, and Will perform “I Don’t Need Anything but You” after the film.
Main characters
Annie
Annie is the main character of the Broadway musical and movie ‘Annie.’ She had a pale complexion and short red curly hair, however, she had darker skin and brown curly hair in the 2014 film. ‘Annie’ is an orphan who lives at Ms. Hannigan’s girls’ orphanage. She is, however, a foster kid in the 2014 version, living with her foster mother, Ms. Hannigan, and her sisters. She is a bold, passionate, and active young lady who will go to any length to locate her parents.
Will Stacks
Will Stacks, who was born Benjamin Stacks, is a key character in the 2014 film adaption. Stacks is based on the earlier iterations of ‘Annie’s’ character Oliver Warbucks. Will is a thirties-year-old guy with black hair, dark eyes, and a dark complexion. His father died when he was twelve years old. Because Stacks worked 20 hours a day, he never got to spend time with his father. As a result, he became a dedicated businessman as well. He used to be a callous person. When Annie entered his life, though, everything changed. MS HANNIGAN is essential to Will Stacks in the 2014 film adaptation. ‘Annie’s’ nemesis is Ms. Hannigan, who appears in the Broadway show and movie. She is a forties-year-old lady. She has blonde hair and blue eyes in the 2014 version, but orange hair and black eyes in the musical and other films.
critique
“Annie” is amusing in the abstract. There is a lot of movement and color, as well as dancing and music, as well as sound and fury. In particular, it has a slew of issues, and I suppose the only way to appreciate the film is to disregard the details. I will, however, point up a few details. One is the narrative itself, in which a millionaire who desires a Rent-An-Orphan for Christmas rescues Little Orphan Annie from a terrible institution. It is stated that this is a universal narrative. According to critics, you can’t help but root for Annie as she bravely tackles the harsh realities of life. I didn’t find myself applauding much since Annie didn’t appear to need it; as portrayed by the feisty little Aileen Quinn, she is the kind of youngster that makes grownups flee for cover.
Likewise, the misadventures she engages in are dubious. I’ve never thought of “Oliver!” as a very realistic musical, but there was a glimmer of reality when its tiny hero asked, “Please, sir, more food?” “Annie” is a film that isn’t about anything. It covers a lot of ground (cruel orphanages, the Great Depression, crafty conmen, ruthless billionaires, and President Franklin Delano Roosevelt, for example), yet it isn’t about them. Because the writing of this musical is so meticulously machine-made, so doggedly formula, it’s one of those movies where you can astonish your friends by leaving the theatre, standing blindfolded in the lobby, and accurately guessing the conclusion. Despite this, I appreciated the film.
I liked the energy on the screen, as well as the lavishness of the production numbers and the wonderful humor of some of the performances, particularly those by Albert Finney as Daddy Warbucks and Carol Burnett as Miss Hannigan, the evil orphanage superintendent. Aileen Quinn grew on me as well. She can’t be claimed to be playing a kid, at least not the kind of realistic flesh-and-blood youngster created by Henry Thomas in “E.T. The Extra-Terrestrial.” On the other hand, Quinn is very skilled and can dance as well as sing very well, and does not look like she is an overworked puppet like Ricky Schroder. She seemed to be the kind of child who will get over her acting and go on to become the student body president.
Albert Finney is the film’s focal point if there is one. He has a difficult assignment ahead of him: he must depict Daddy Warbucks as a self-centered, haughty billionaire who has everything except love, and who learns to love via the example of a little child. This is the kind of part that performers would rather not do. Albert Finney embodies grit. He’s gone through this personality change twice; in 1970, he appeared in “Scrooge.” He even gets it off this time by underplaying it. He isn’t too aloof in the beginning, and he isn’t overly sentimental in the end. He has a detached demeanor. Annie could win his heart, but she’ll still need to make an appointment with him.
Conclusion
Several intriguing versions mimic the 1982 Annie, but the most distinctive version is the most current film from 2014 since it introduces different characters while still conveying the theme of promise and hope for all young girls, not just orphans. Annie’s use of adaptation is more effective than others because, unlike its predecessors, it doesn’t only concentrate on the rags-to-riches narrative, but also takes the time to reflect on the impact of poverty and the extent to which it may drive individuals. It doesn’t have a Punjabi character who represents the stereotype of Arabs in the Middle East. Although the 2014 picture has a more varied cast of individuals, it retains the original version’s theme of optimism and promise. “So take it all, the city’s yours, ask it for more, when you schedule a tour,” the film’s new song The City’s Yours sings while flying across New York in a helicopter. So take it all; the city is yours; it is worth fighting for; it is all mine; it is all yours in New York City.” This song conveys the concept that capitalism is beneficial and that working hard will give positive/favorable consequences, even in a metropolis of nearly eight million people. There’s also a message that goes unchallenged: being wealthy means you own/can own everything. Tomorrow is also a metaphor for the American Dream and the possibility of the capitalism.
Annie was, overall, one of those flicks that come along now and again and strike your heart. You may relate to the characters, the music, the film, and the overall message of Annie. We spotted a little orphan child from the beginning, who was a light of brightness despite her circumstances. She was constantly full of excitement and carried that energy with her everywhere she went. Annie might have chosen to dwell in despair, particularly after she was mistreated at the orphanage, but she decided to be cheerful instead, and her joy spread to others. Annie taught me that keeping optimistic and hopeful may help you get through any difficult situation. If one day isn’t going so well, a little optimism might help you stay focused and give you the additional steps you need for “tomorrow.”
